Amidst one of Colorado's most aggressive cold snaps in 2011, The Wailers could not have chosen a better time to bring Caribbean heat to the Vail Valley. Despite sub-zero, skin-biting temperatures outside, The Wailers, along with energetic supporting acts, took the stage at Agave Tuesday night with a vigor and liveliness that quickly brought the Avon venue to a roaring decibel.
Those seeking new music and original fare were smart to arrive early as opener Tomorrows Bad Seeds (TBS) offered a West Coast dub-rock that was well-received by a crowd eager to move. Hailing from Hermosa Beach, Cali., the band's integration of rock, ska and reggae were reminiscent of Sublime and Pepper. The band's upbeat songs and stage presence livened patrons while warming the stage for the reggae sounds to come.
Next up was Kingston native and Wailers collaborator Duane Stephenson who shared two female backup singers and a guitarist with The Wailers. Similar to what Bob Marley is known for, Stephenson preached respect for women and kindness to others during his time on stage.
Agave's crowd loudly welcomed The Wailers when they came on stage. Using standard Marley anthems, The Wailers introduced themselves with a suitable version of “Coming In From The Cold” and continued with hits such as “Three Little Birds” and “Redemption Song.” Frontman and lead singer Koolant addressed the Colorado crowd personally throughout the show, but it was Aston “Familyman” Barrett's crucial bass presence and the accompanying musicians' backing vocals and distinctive keys that kept the cover songs fresh.
Like the opening song, The Wailers' closing song, “Exodus,” was fitting. As the music ended, a still-dancing, satisfied crowd filtered into the cold night; the crowd's energy kept the frigid air at bay for a moment before it finally took hold.
John Scheid is a local freelance writer. E-mail comments about this concert review to cschnell@vaildaily.com.
Those seeking new music and original fare were smart to arrive early as opener Tomorrows Bad Seeds (TBS) offered a West Coast dub-rock that was well-received by a crowd eager to move. Hailing from Hermosa Beach, Cali., the band's integration of rock, ska and reggae were reminiscent of Sublime and Pepper. The band's upbeat songs and stage presence livened patrons while warming the stage for the reggae sounds to come.
Next up was Kingston native and Wailers collaborator Duane Stephenson who shared two female backup singers and a guitarist with The Wailers. Similar to what Bob Marley is known for, Stephenson preached respect for women and kindness to others during his time on stage.
Agave's crowd loudly welcomed The Wailers when they came on stage. Using standard Marley anthems, The Wailers introduced themselves with a suitable version of “Coming In From The Cold” and continued with hits such as “Three Little Birds” and “Redemption Song.” Frontman and lead singer Koolant addressed the Colorado crowd personally throughout the show, but it was Aston “Familyman” Barrett's crucial bass presence and the accompanying musicians' backing vocals and distinctive keys that kept the cover songs fresh.
Like the opening song, The Wailers' closing song, “Exodus,” was fitting. As the music ended, a still-dancing, satisfied crowd filtered into the cold night; the crowd's energy kept the frigid air at bay for a moment before it finally took hold.
John Scheid is a local freelance writer. E-mail comments about this concert review to cschnell@vaildaily.com.


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