New York City-based trumpeter and vocalist Bria Skonberg plays Vail Jazz
If you go …
What: Bria Skonberg, with Eric Wheeler on bass, Evan Arntzen on clarinet and saxophone, Ehud Asherie on piano and Jerome Jennings on drums, part of the Vail Jazz Club Series.
When: Wednesday, July 20; doors open at 8 p.m., and music starts at 9 p.m.
Where: Mountain Plaza Lounge at the base of Gondola One.
Cost: $40 in advance.
More information: The quintet also will perform at Vail Jazz @ Vail Square from 6 to 8 p.m. Thursday, July 21, at the all-weather jazz tent in Lionshead. Tickets are $20 for general admission or $40 for premium seating for that show. For tickets or more information, visit vailjazz.org or call 888-VAIL-JAM.
it happened: Bria Skonberg is officially big time.
The Canadian-born trumpeter and vocalist hit the jazz world like a supernova during the past few years and was signed by Sony Music earlier this summer.
Raise your hand if you’re surprised.
That’s what we thought.
The 32-year-old New York City resident blew the doors off her Vail debut last year and is back by popular demand, performing an intimate show at the Vail Jazz Club Series on Wednesday and then taking the stage at Lionshead Village on Thursday for Vail Jazz @ Vail Square.
Growing up in a farming community about an hour east of Vancouver, British Columbia, Skonberg dabbled in the piano, bass and clarinet before settling on the trumpet. She began singing in high school and, by the time she graduated, was the star of the school band and choir, captain of the basketball team, president of student council and manager of several of her own bands, including a jazz ensemble, big band and marching band.
Skonberg has been working full time as a professional musician for 10 years and moved to New York City in 2010. She has released three studio albums and performs regularly around Manhattan with Wycliffe Gordon and a slew of other jazz greats between traveling the world with her own quintet.
Rooted in traditional jazz but featuring world percussion and alluring melodies, her forthcoming studio record was crowd funded last year. Oh, but how the framework has changed since then. After overwhelmingly meeting the crowd-funding goal, producing the record and bringing it to several labels, Sony’s Portrait Records will release the album, simply titled “Bria,” on Sept. 23.
“I was waiting,” she said. “It was six months of crossing my fingers and not being able to say much because I didn’t want to jinx it. It’s exciting on so many levels. I’d like to think mostly because now I can focus more on the musical experience.”
What can one expect of Skonberg’s musical experience? Let’s say that profound ambiance (and a little hypnosis, in case she’s performing her rendition of “Trust in Me”) from “The Jungle Book”) is what she’s going for.
“The vibe is what I’m honing in on,” she said. “I like the swampy, Duke Ellington, exotic-sounding stuff. That’s where my trumpet and voice meet and compliment each other.”
Always pragmatic, in spite of her big-label status, Skonberg is not the type to envision her symphonic debut in front of hundreds of thousands or to dream of yachts and mansions.
“I live in reality. If somebody says, ‘what size is your dream band?’ I say, ‘I can fit five people in a minivan.’ I’m practical in a lot of ways, but this gives me the opportunity to dream a little bit,” she said. “What I would love and what will happen more is getting people to help wrangle the details — interviews, media, tour logistics. My dream would be to spend more time playing trumpet and writing music.”
Skonberg also dedicates a fair share of time to musical education. She’s worked with youth outreach programs through The Juilliard School and Jazz at Lincoln Center. As co-founder of the New York Hot Jazz Festival, which recently partnered with Central Park’s Summer Stage and is now a major attraction, she hosted a New York Hot Jazz camp for adults this spring.
“We had people come in from Denver, Virginia, British Columbia … a great group of people. We had an 18-year-old and an 82-year-old. They came to learn how to play New Orleans-style jazz for a week. The camp gives people an opportunity to not just play by themselves, but play in a band setting around likeminded musicians,” she said.
“I realized age has nothing to do with energy level, especially when it comes to playing music. There is no division for age, gender, race … any of that. It’s about bringing people together, no matter what experiences you’ve had. That was a long-term dream. Next year, we’ll have a youth camp and an adult camp.”
When asked if she could foresee herself still belting out trumpet solos or singing sultry tunes when she reaches the age of 82, she laughed.
“I hope I’m retired by 42,” she said.
But she’s joking. Or maybe not …